Introduction

Downtown Wichita Falls, Texas, in the mid 1940’s was a bustling metropolis for a boy of 7 just away from the farm and ranch community where he was born. My father, a cook and cowboy by trade, had just started as one of the first cooks for the Casa Manana restaurant in 1947. He moved us to an apartment on Ohio Street, right across from the Gem Theater, between 7th and 8th Streets. It’s here that we would stay for the next three years. The Gem Theater became a magic palace for a young mind. But it had to share that distinction with the rest of the magic that was Wichita Falls. I attended San Jacinto and Carrigan elementary schools, as well as Reagan Junior High, and belonged to the Boys Club on 6th Street. Please join, and share your stories and pictures through a Guest Blog, of early Wichita Falls - or your home town. Contact me at fadingshadows40@gmail.com or leave a comment. We could use old pictures of movie houses, drive-in theaters, and other nostalgic pictures related to our youths.

Monday, October 7, 2013

Fill 'Er Up: The Great American Gas Station


Fill ‘Er Up: The Great American Gas Station (Americana)
By Tim Russell
Crestine: Reprint Edition
ISBN #978-0785829867
Price $11.68
208 Pages
Rating 5-Stars

“The History of An American Institution”

British author, Tim Russell, fell in love with the American gas stations while attending college in the US. A lifetime of interest in gas stations led him to study and collect everything concerning them, which eventually led to this fascinating book. Filled with many color and black & white photographs, it chronicles the history of the many service stations, their mottos, and advertisements. Remember when men – and women – gave the motorists full service?

As a young boy I remember gas stations on just about every block in Seymour, Texas, and almost the same in Wichita Falls, Texas, where I spent my formative years. In the summer of 1958, before enlisting in the Army, I worked at the Hill Top Truck Stop, several miles outside Seymour, pumping gas in the evenings and on the night shift. How well I remember climbing up on semi-trucks to clean the bugs off windshields! I don’t remember what gasoline we carried, but the Truck Stop had a small cafĂ©, where my sister worked; that’s how I got the job in the first place. The owner was a mechanic and fixed flats. I did not have to do anything but give full service; although in the evenings and over night I also sold pre-packaged sandwiches that my sister had prepared. I also remember the many gimmicks the gas stations used to get regular customers to come back. In the early days they gave the kids a cartoon strip of an aviation hero (though I don’t remember the hero’s name), a goldfish in a plastic envelope, Green Stamps (?), or special glassware. My wife would send me to the same station every time to be sure to get one of their glasses she was collecting. I also recall the time I drove into a station and asked them to check the oil, water and air, and was told, “We don’t do that any more.” I was shocked. The Texaco man was no more.

People my age will enjoy the memories this book brings back. Maybe even the younger generation that heard their parents and grandparents speak of the “full-service” gas stations will want to see what it was all about. But to everyone who reads this book, I think it will give them a taste of Americana, and a time when service meant something. Well worth the small price.

Tom Johnson
Echoes Magazine

Sunday, October 6, 2013

I Meet A Hero


I Meet A Hero

            When we moved from Ohio Street some time in 1950, my dad bought a small mobile home (8 X 28 foot), which he set up behind a lumberyard on Broad Street between 6th and 7th Streets. This was a new world for me. I was half a block from the Boys Club, and across the street from the Wichita Falls Memorial Auditorium. The mobile home was small, and didn't have a bathroom, but it was probably as big as the little apartment we lived in on Ohio Street for three years. There was a storage room in the big house, which had a bathroom for our use, a step above an outhouse. We had to take baths in a washtub.
The Boys Club In Background


            I joined the Boys Club and it became a home-away-from-home for me. It had a library and a workshop where I learned to make things on machines, a gym with lots of activities, and the employees saw to it that we had things to do every day. On Saturdays, they provided a buss to take kids to the Tower theater for the Saturday Matinee, but I never went. Across the street from the Boys Club was an orphanage with a fenced-in playground. I felt sad for the children inside, for they would stand at the fence and watch us playing outside, and were unable to join us. A block and a half from me was 8th Street Park - those further up the road called it 9th Street Park. It covered the whole block and had slides, swings, and merry-go-rounds; in later years, it was given the official name of Bellevue Park, the swings and slides removed, and million-dollar architecture was added. Ugly.
Me With Clinic In Background
           

The lumberyard had a wooden trailer parked in front with wood scraps for the neighborhood, and National Geographic magazines tossed inside, free for the kids. It was some benefactor's way of seeing that children had something educational to read. The free scraps of lumber were a novelty also. Try going to a lumberyard today and asking for free scraps! A medical clinic was across the alley
            My little world had suddenly changed from sidewalks and winos, theaters and five & dimes, to parks, playgrounds, and the Boys Club. Here, too, I had many kids my own age to play with. I didn't miss Ohio Street, nor did I ever go back. I would visit Indiana Street once in a while, but for some reason I was afraid to venture back to where I had spent three years of my life.
            The Memorial Auditorium was open during the weekdays, and I had the run of the place, often helping out the office workers when they needed someone to run an errand. It wasn't all concrete and parking lot at the time, either. There were large grassy areas on both sides of the building, and these became the local children's playground in summer and winter. We would ride our bikes down the hill in the summer, and slide cardboard boxes down it in the winter. No one said anything to us. I did catch a black widow and her babies in a glass jar once and showed it to the janiter, who quickly washed the spiders down a drain and warned me not to play with spiders. I still play with spiders and bugs today, however. My sisters and their boyfriends also set pallets on the grass and made out when they could get rid of me. Usually that cost their boyfriends a dime or quarter. I would still run home and tell my mother that they were kissing their boyfriends!
My Sisiter And Friend On Auditorium Lawn
           

Something else about the Memorial Auditorium, they brought shows to town. I'm sure they charged for them, but I was always given a free pass. We only lived in the mobile home about a year, and when my dad couldn't make payments on it, we had to move. So the time would be around 1951 when one of my heroes came to town. I was given a pass for the show that night, and onstage was Lash LaRue and Al "Fuzzy" St. John, western stars I had watched at the picture shows downtown on many Saturdays. Lash would pop that 15-foot long bullwhip, and Fuzzy would roll a cigarette with one hand, then they would put on a mock fistfight for our entertainment. I sat in wonderment, as only an eleven-year-old boy could throughout the show. Then when it was all over, Lash and Fuzzy visited with the audience, and spoke with us. I even got a pat on the head from Lash LaRue!
Me Playing Cowboy
           

However, there is sadness even in such glorious times as this. Much later, I learned that in 1951 the B Westerns were dying, and all of the western stars were making the rounds trying to promote interest in a dying entertainment industry. Their contracts were up in 1951 and '52, and the studios were not renewing them. Westerns were growing up, and TV was taking the place of the Saturday Matinees. Cowboy stars like Lash LaRue were drifting away, their careers finished.
            About ten years after his last movie, the police found a man passed out in the gutter and threw him in the drunk tank to sleep it off. Someone at the station recognized him and notified the newspapers. The next day, the headlines read,  "Cowboy movie star, Lash LaRue arrested for public intoxication!" What could have been the final nail in his coffin actually revived his career to a small degree. TV networks heard about the arrest, and it wasn't long before Lash LaRue was making special appearances on network television. Conventions also started asking him to appear as Guest of Honor. Kris Kristofferson and Willie Nelson hired him in a bit part for their television remake of "Stagecoach". He died in obscurity at age 80 in 1996.
            They looked so much alike that Lash LaRue could have passed for Humphrey Bogart's twin. The likeness was often a curse for Lash, as people would often mistake him for Bogart. He enjoyed telling one story at conventions that went something like this: One day an actress he worked with asked him:
            "Are you related to Humphrey Bogart?"
            "I don't think so," he replied.
            "Humm," the actress continued. "Did your mother by chance meet Bogart before you were conceived?"
            When I met Lash LaRue in 1951, he was a giant. Perhaps his only claim to fame, besides his resemblance to Bogart, was that of a B Western movie star. But for kids growing up in the 1940s and '50s, our heroes were bigger than life. They were the good guys that we needed. The fathers we didn't have. They brought justice to the West, and gave us someone to emulate when we grew up. And that wasn't a bad thing.

Friday, October 4, 2013

The Boy Who Loved Batman


The Boy Who Loved Batman (A Memoir)
By Michael E. Uslin
Chronicle Books LLC
ISBN #978-0811875509
Price $19.70 (Hardback)
256 Pages
Rating 5-Stars

“Memories Of A Comic Book Fan”

The author discovered comic books when he was five years old, then fell in love with the character of Batman. This book chronicles his dreams from childhood, through education, and finally to Hollywood where he would be involved in bringing a darker Batman to film with such titles as “Batman Begins”. We see his struggles, triumphs, loves, and discouragements along the way.

I found Michael Uslin’s life an interesting one, and agree with his philosophy to dream your dreams, then get off your butt and pursue them. I find this true. Many people have plenty of dreams, but sit on their butts waiting for opportunity to come knocking on their door, and then blame everyone else when they don’t achieve their dreams. Like the author I discovered comic books at an early age (age 7 for me), and loved Batman, Superman and Wonder Woman until I found Captain Marvel and The Marvel Family. But I was never a fanatic, and only picked up comic books occasionally. In the third grade my teacher caught me with a comic book in school and brought me a book, suggesting I read real literature. The book was “Dr. Hudson’s Secret Journal” by Lloyd C. Douglas, and I became a reader of novels from that point onward. However, I could feel Michael Uslin’s love for comic books, and especially Batman, and if his memoirs don’t do anything else, I hope they persuade readers to pursue their dreams as steadfast as he, and don’t blame the world if you fail.

Tom Johnson
Echoes Magazine

Sunday, September 29, 2013

Pulp Research Books


Pulp Research Books
Many research books were written in the early days of pulp fandom. There are too many books on science fiction to attempt to list, so I’ve limited this one to the lesser-covered pulps. I know I am overlooking many fine books. Nor does this list cover the area of comic books! If you see something that I should have listed, please contact me at fadingshadows40@gmail.com Following is a short list:
The Secret Agent “X” Companion by Tom Johnson & Will Murray (Altus Press)
Operator #5: The History of the Purple Wars by Harrison Stievers (Tom Johnson) from Altus Press
The Phantom Detective Companion by Tom Johnson (Altus Press)
G-Man Companion by Tom Johnson (Altus Press)
The Black Bat Companion by Tom Johnson (Altus Press)
From Shadow to Superman (The Belmont Shadows of the 1960s) by Tom Johnson (Fading Shadows, Inc.)
“The Green Ghost” (And Other Articles) by Tom Johnson (Fading Shadows, Inc.)
Twenty Years of Murder by Don Hutchison
Dime Detective Companion by James L. Traylor (Altus Press)
The Pulp Hero by Nick Carr (Wild Cat Books)
Master of the Pulps by Nick Carr (Wild Cat Books)
America’s Secret Service Ace (Operator #5) by Nick Carr (Weinberg’s Pulp Classics)
The Flying Spy (G-8) by Nick Carr (Weinberg’s Pulp Classics)
The Other Detective Pulp Heroes by Nick Carr
The Western Pulp Hero by Nick Carr
The Amazing Pulp Heroes by Frank Hamilton & Link Hullar
Daring Adventurers by Rick Lai (Altus Press)
Criminal Masterminds by Rick Lai (Altus Press)
Chronology of Shadows (The Shadow) by Rick Lai
Chronology of Bronze (Doc Savage) by Rick Lai (Altus Press)
Gangland’s Doom by Frank Eisgruber, Jr. (Altus Press)
The Spider by Robert Sampson
Deadly Excitements by Robert Sampson
Yesterday’s Faces (set of volumes) by Robert Sampson
The Western Pulps by John Dinan
Sports in the Pulp Magazines by John Dinan
Adventure by Robert Kenneth Jones
The Gray Nemesis (The Avenger) by Howard Hopkins (Golden Perils)
Pulp Man’s Odyssey (On Hugh Cave) by Audrey Parente
Horrors and Unpleasantries (The Horror Genre) by Sheldon Jaffery
Lester Dent: The Man, His Craft and His Market by Martin Laird
Danger Is My Business: An Illustrated History of the Pulp Magazines by Lee Server
The Shadow Scarpbook by Walter Gibson
Duende: The History of the Shadow by Will Murray
Writings in Bronze by Will Murray
Wordslinger: An Epitaph For The Western by Will Murray
Doc Savage: Arch Enemy of Evil: Pulp & Reprint History by Larry Widen & Chris Miracle
Captain Future Handbook by Chuck Juzek (Wild Cat Books)
Pulp Magazines: An Informal History by Ron Goulart (Ace Paperbacks)
Detective and Mystery Fiction: An International Bibliography of Secondary Sources by Walter Albert (Brownstone Books)
Mystery, Detective and Espionage Magazines by Michael L. Cook (Greenwood Press)
Monthly Murders Complied By Michael L. Cook (Greenwood Press)
Hero Pulp Reprint Index by Bill Thom (Fading Shadows)